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Friday, January 29, 2021

Working with Bosporus Toile: One of the most popular fabrics for home decorating

Although we generally avoid fabrics made to look old an worn in historic interior decorating (more about that another time), we have had so many requests for advice using the Bosporus Toile pattern that we have worked up still more sample boards using that design. Usually a linen blend, this design has been offered by several fabric companies and is available in a range of colorways.


We do not mean to suggest that you use all of the fabrics in each example. The multiple groupings are to give you a variety of choices. Select two or three to start and then add another if you would like.

If you missed our earlier series on coordinating fabrics, it starts here. (The contest is closed but we are open to questions and although we can't answer them individually, we do try to address themes from your letters in this blog. By submitting your questions and photos, you are giving us permission to use them here at our discretion.)

 
Fabrics shown on Sample Boards are from Restoration Fabrics & Trims. 

Photos are copyrighted 2024 by Restoration Fabrics & Trims. All rights reserved. 
They may not be used or reproduced without written permission.
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Sunday, January 3, 2021

American Federal Period Interior Design and Home Decor Part II


Names to Know in Federal Design and Decor 

Monticello


Thomas Jefferson (1743
1826)

The third President of the young United States of America was passionate about classical architecture and ideals. He designed Monticello, his home, as well as The University of Virginia and the Virginia State Capitol to represent both the look and philosophy of the ancient Greeks and Romans.

Jefferson was strongly influenced by Robert Adam, Thomas Chippendale, Thomas Sheraton, and George Hepplewhite.

Portrait of Robert Adam
attributed to George Willison



Robert Adam (1728
1792)

Adam was a Scottish architect whose revolutionary neoclassical style was extremely influential in England and America. It was the dominant style from the late 1700s through the mid-1800s in both countries.





Duncan Phyfe (1768 – 1854) 

was a Scottish-American furniture maker who emmigrated to the United States in 1784. His New York "manufactury" (shown below) lasted through the 1840s.

In later years he also made furnishings in the Late Greek (Napoleonic and Victorian Greek Revival), Rococo, and Gothic Revival styles.

Photo on right shows a Duncan Phyfe style lyre back chair upholstered in a fabric with a neoclassical wreath motif.  Similar fabrics are available at Restoration Fabrics & Trims.



Duncan Phyfe’s Burgeoning New York Furniture Workshop and Factory on Fulton Street

George Hepplewhite (c. 1727 – 1786)
Hepplewhite Style Chair

Little is actually known about George Hepplewhite and there are no pieces of furniture made by him or his firm known to exist. Nonetheless, his name represents a distinctive style of light, elegant furniture that was fashionable between about 1775 and 1800 and is still made today.

Hallmarks of Hepplewhite style include slender, curvilinear yet simple shapes in a well-balanced form, usually with a distinctive shield-shaped back. Additional ornamention, if present, was by inlay or paint.

 

Illustrations of Chairbacks from Sheraton's Books

Thomas Sheraton (1751 – 1806)

Although we know considerably more about Thomas Sheraton than of Hepplwhite, there is a similar lack of evidence that he ever made the furniture that bears his name.  He did apprentice to a cabinetmaker and, in 1790, moved to London where he taught perspective, architecture, and cabinet design. In 1791, Sheraton published the very successful Cabinet Maker's and Upholsterer's Drawing Book. He was a superb draughtsman and the four volume set was very influential and the Sheraton name became synonymous with much of the classically inspired furniture of the period.


Josiah Wedgwood (1730 –1795)

The English potter became famous for his cream figured bas-relief style black basalt and jasperware (blue and green) wares. He was related by marriage to the Darwins, a family of prominent abolitionists like his own. In fact, Josiah Wedgwood was the grandfather of both Charles Darwin (the evolutionist) and his wife, Emma. The Wedgwood fortune enabled Charles Darwin to pursue his scientific endeavors. We'll have more about Josiah Wedgwood in our article on Neoclassical Decor, coming soon.



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Coming next time in Part III
Federal Period Fabrics, Wallpapers, Rugs, and Accessories



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